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・ Willem Van der Hagen
・ Willem van der Hoeven
・ Willem van der Kaay
・ Willem van der Poel
・ Willem Van der Tanerijen
・ Willem van der Veer
・ Willem van der Vliet
・ Willem van der Woude
・ Willem van der Zaan
・ Willem van Diest
・ Willem van Drielenburg
・ Willem van Eijk
・ Willem van Enckevoirt
・ Willem van Genk
・ Willem van Genugten
Willem van Haecht
・ Willem van Hanegem
・ Willem van Haren
・ Willem van Herp
・ Willem van Heythuysen
・ Willem van Heythuysen posing with a sword
・ Willem van Honthorst
・ Willem van Hoogstraten
・ Willem van Ingen
・ Willem van Keppel, 2nd Earl of Albemarle
・ Willem van Kooten
・ Willem Van Lancker
・ Willem van Loon
・ Willem van Mieris
・ Willem van Nieulandt II


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Willem van Haecht : ウィキペディア英語版
Willem van Haecht

Willem van Haecht (1593 – 12 July 1637) was a Flemish Baroque painter best known for his gallery pictures and the son of the landscape painter Tobias Verhaecht.
Van Haecht was born in Antwerp, and studied under Peter Paul Rubens. He worked in Paris from 1615 to 1619, and then travelled to Italy for about seven years. Van Haecht became a master in Antwerp's guild of St. Luke in 1626 and from 1628 onwards was the curator of the art collection owned by Cornelis van der Geest.
This collection is represented in allegorical terms in the ''Picture Gallery of Cornelis van der Geest'' (1628; Rubenshuis, Antwerp). The left side of the painting includes various portraits of contemporaneous figures, including (from the left) Infanta Isabel Clara of Spain, Archduke Albert of Austria, Peter Paul Rubens, Prince Władysław Vasa of Poland (who visited van der Geest's Gallery in 1624, with black hat) and the host showing a picture,〔(Pobyt królewicza Władysława Zygmunta w Niderlandach )〕 as well as many famous paintings like ''Paracelsus'' by Quentin Matsys.
''Apelles Painting Campaspe'' (ca. 1630, Mauritshuis), another gallery painting by van Haecht, is significant because it may be regarded as "an ideal image elements drawn from Rubens's museum".〔Jeffrey M. Muller, ''Rubens: The Artist as Collector'' (Princeton UP, 1989), 41.〕
==References==


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